Showing posts with label Juliet Berto. Show all posts
Showing posts with label Juliet Berto. Show all posts

Sunday, January 31, 2010

On Actresses, Pt. II


Jeanne Dielman 23, quai du commerce, 1080 Bruxelles
"The first masterpiece in the feminine in the history of the cinema", Le Monde, 1976


A pet peeve: Some reviews of Chantal Akerman's Jeanne Dielman that I've read in the last year have misread Jeanne as oppressed by her domestic routine instead of this as the only outlet she has to save her from oppression. It is her medium.

"The important thing is the style, the form. It shows everyone has conditioning. The attention I show to this woman's gestures is very positive. To show that doing the dishes can also be used for art, that is positive," said Akerman in a 1977 interview with Film Quarterly.

Actress Delphine Seyrig said to the same magazine, "In this role I experienced things I've been trying to get away from my whole life. What was most difficult for me was not to express any revolt or aggression. As I became Jeanne Dielman, I realized how easy it is to be a woman like that. Women are very malleable, they all play roles, not just actresses; they adept more easily than men do. I felt this experience has never been shown before. No man could have made this film; it is a totally feminine film."


Released in 1974, just a year before Jeanne Dielman, Céline and Julie Go Boating (or one half of it) was written largely by actresses Juliet Berto and Dominique Labourier:

"During the filming, we got up early in the morning and told each other our dreams, which the film depended on... We wrote our lines each morning and evening... [and we always] knew what stance we had and why. Everything is doubled in this film, which also talks about the acting profession in its relation to the spectators, whom we often act aggressively toward without real malice," said Berto.

Labourier explained, "We were interested in creating characters that would emerge from our essential vocation as actresses. Very often we tend to forget that the profession of an actress is, above all, based on games, like children's games. So in Céline and Julie we started off with the notion of amusing ourselves by creating interchangeable characters in many different forms in the style of a game."


Sunday, January 24, 2010

On Actresses


FILM MAGAZINE: It is curious to see men play subsidiary roles in Céline and Julie Go Boating. Does this have anything to do with what you term “individual expression?”

JULIET BERTO: I couldn’t really answer that. It is hard though to find actors who bring original ideas to film. They somehow aren’t interested in innovative research and challenge. Secure in their social position, they refrain from taking too many risks. Women have nothing to lose and it is from our socially deprived position that we emerge as powerful individuals in the film. It is a unique situation and one that is reflected by the fact that men are inevitably weaker in their profession as actors. Male actors posses an ambivalence, since acting for them implies the exposure of a narcissistic and feminine side of their personalities.